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The early black-figured pottery of Attika in context (c. 630-570 BCE)
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ISSN: 01698850 ISBN: 9789004186040 9004186042 900419231X 1283852411 Year: 2011 Volume: v. 17 Publisher: Leiden ; Boston : Brill,

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Abstract

Setting as a starting point the introduction of the black-figure technique in Attic workshops at around 630 BCE, this book attempts a contextual analysis of Attic pottery until late in the first quarter of the sixth century BCE. The shapes and their functions, as well as the iconographic themes are explored through this perspective. This offers an interesting insight into funerary, cultic and profane activities in Athens and the Attic countryside, which is completed by an extensive study of the trade and distribution of Attic vases during this period. The result is a complete overview of early black-figure Attic production, enabling an afresh archaeological approach to late seventh-and early sixth-century Attic society.


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The image of the artist in archaic and classical Greece : art, poetry, and subjectivity
Author:
ISBN: 9781107118256 1107118255 9781316339398 9781107543393 1107543398 1316455734 1316455254 1316457656 1316456218 131645861X 1316339394 1316452379 9781316458617 9781316457658 Year: 2016 Publisher: Cambridge : Cambridge University Press,

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This book explores the persona of the artist in Archaic and Classical Greek art and literature. Guy Hedreen argues that artistic subjectivity, first expressed in Athenian vase-painting of the sixth century BCE and intensively explored by Euphronios, developed alongside a self-consciously constructed persona of the poet. He explains how poets like Archilochos and Hipponax identified with the wily Homeric character of Odysseus as a prototype of the successful narrator, and how the lame yet resourceful artist-god Hephaistos is emulated by Archaic vase-painters such as Kleitias. In lyric poetry and pictorial art, Hedreen traces a widespread conception of the artist or poet as socially marginal, sometimes physically imperfect, but rhetorically clever, technically peerless, and a master of fiction. Bringing together in a sustained analysis the roots of subjectivity across media, this book offers a new way of studying the relationship between poetry and art in ancient Greece.

Dionysos in archaic Greece : an understanding through images
Authors: ---
ISSN: 09277633 ISBN: 9789047418825 9047418824 9004144455 9789004144453 9786613060266 1283060264 Year: 2006 Volume: 160 Publisher: Brill

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For the Greek, Dionysos was a very important god: for individuals as well as for the community as a whole. As there are only a few written sources dating from before the 5th Century BC the many images of Dionysos on Greek vases may well offer a genuine approach to the meaning given by the ancient viewer. This book explores the earliest images followed by those on small vases for private use, on mixing bowls of the symposion, on amphoras, on later drinking cups and on archaic sculptures. It gives an overview of Dionysian iconography of the 5th Century BC as well as an overall interpretation. The reader will learn why this god of vine and wine, of theatre and ecstasy, was so important for humans and why he played a key role in the life of the polis. Dionysos war für die Griechen ein Gott von zentraler Bedeutung, sowohl im Leben des Einzelnen wie der Gemeinschaft. Weil vor dem 5. Jahrhundert volumeChr. sehr wenige Schriftzeugnisse existieren, können uns die vielen Darstellungen des Dionysos auf griechischen Vasen am ehesten einen Zugang zu dem vermitteln, was der antike Mensch über ihn dachte. Analysiert werden zuerst die frühesten Bilder, dann jene auf kleinen individuell gebrauchten Vasen, auf grossen, beim Symposion verwendeten Mischgefässen, auf Amphoren, auf den späteren Trinkschalen und schliesslich in der archaischen Skulptur. Das Buch schliesst mit einem Ausblick auf die Bildgeschichte des Dionysos im 5. Jahrhundert volumeChr. und einer umfassenden Deutung. Diese Interpretation hilft zu verstehen, warum Dionysos, der Gott der Rebe und des Weins, des Theaters, der Ekstase, für den antiken Menschen so wichtig war und auch im öffentlichen Leben der klassischen Polis eine so grosse Rolle gespielt hat.

Keywords

Vase-painting, Greek --- Vases, Black-figured --- Peinture de vases grecque --- Vases à figures noires --- Dionysos (Divinité grecque) --- Themes, motives. --- Thèmes, motifs --- Art --- Dionysus --- Art. --- Dionysus (Greek deity) --- 292 --- 704.947 --- Black-figure vases --- Black-figured vases --- Vases, Black-figure --- Vases, Ancient --- Themes, motives --- Religion Classical Greek and Roman --- Arts Mythology --- Vases à figures noires --- Thèmes, motifs. --- Dionysos, --- Dans l'art --- Greece. --- Bacchus --- Bakchos --- Dionís --- Dionisas --- Dioniso --- Dionīss --- Dionisu --- Dioniz --- Dionizi --- Dionizo --- Dionizos --- Dionüszosz --- Dionysos --- Dionýzos --- Diyonizosse --- Διόνυσος --- Дионис --- ديونيسوس --- 디오니소스 --- דיוניסוס --- ディオニューソス --- 狄俄倪索斯 --- Βάκχος --- Діоніс --- al-Yūnān --- Ancient Greece --- Ellada --- Ellas --- Ellēnikē Dēmokratia --- Elliniki Dimokratia --- Grčija --- Grèce --- Grecia --- Gret͡sii͡ --- Griechenland --- Hellada --- Hellas --- Hellenic Republic --- Hellēnikē Dēmokratia --- Kingdom of Greece --- République hellénique --- Royaume de Grèce --- Vasileion tēs Hellados --- Xila --- Yaṿan --- Yūnān --- Vase-painting, Greek - Themes, motives. --- Vases, Black-figured - Greece - Themes, motives. --- Dionysus (Greek deity) - Art. --- Classics --- Religion in Antiquity --- Classical Studies --- Amphora --- John Beazley --- Krater --- Kylix --- Satyr

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